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Sarah in Romania
24 avril 2010

Kapitalism: Our Improved Formula

From Kathimerini (supplement of IHT in Greece and Cyprus)

Ceausescu ‘resurrected’ in film

AFP

Portraits of Romanians, businessmen George Becali, George Copos, OTV television owner Dan Diaconescu and Dinu Patriciu  are seen on TV screens forming part of an installation at the premiere of Alexandru Solomon’s documentary ‘Kapitalism.’

BUCHAREST (AFP) – Twenty years after his execution, and thanks to the magic of cinema, Nicolae Ceausescu has returned to discover how Romania has embraced capitalism with a passion. And he likes what he sees.

“Kapitalism: Our Improved Formula,” which opened in Romanian theaters yesterday, is documentary maker Alexandru Solomon’s take on the radical changes that have swept over the country since the collapse of communism in Europe.

To carry the narrative, he “resurrects” Ceausescu – executed with his wife Elena against a brick wall on Christmas Day 1989 by a firing squad – to see the changes that time has wrought.

Initially he is shocked to discover the capital Bucharest festooned with giant billboards for Coca-Cola and other Western brands, and the streets alive with glitzy casinos and luxury cars.

But he is pleased to see one-time members of his feared Securitate secret police reinvesting themselves as multimillionaire tycoons, as powerful as ever, unashamedly living the good life.

In one of the poorest countries in the European Union, erstwhile apparatchiks run media empires, football clubs, oil refineries and construction groups.

Some now are under investigation for corruption, but by and large they are happy to be portrayed in their luxurious villas, yachts and private jets.

In the film, they talk openly about how fast they made their “first million” and how they negotiate profitable deals with a weak state.

“I did not make a film to criticize economic liberalism,” said Solomon, 43, who has previously turned his camera on such subjects as Radio Free Europe (“Cold Waves”) and road chaos in Bucharest (“Apocalypse on Wheels”).

“I just wanted to show the strange form of our post-communist society, where we have neither a classic, Western form of capitalism nor a real democracy,” he said.

What it does have, he said, is “a classic cocktail of power and money in Eastern Europe,” with a capitalist society “still deeply rooted in its communist past.” Several Romanian filmgoers to the premiere of “Kapitalism” said they found it “fair but very depressing.”

Produced with financing from Belgian, French and Romanian sources, “Kapitalism” will be distributed abroad after its domestic release.

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