Bucovina - World Heritage

Thank you NYT for the article below:

NYT: Bucovina, the place where art and faith embrace

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The Bucovina region in the far north of the country, wrote the Romanian scholar Silviu Sanie, is “one of those blessed realms where sacred and secular monuments have enriched the enchanting natural landscape,” New York Times writes in an extensive feature story on the Romanian region.

“During a recent week’s stay, I found this description remarkably apt,” the author says. “Once the easternmost province of the Austro-Hungarian Empire, Bucovina (“land of beech trees”) today straddles the border between Romania and Ukraine: northern Bucovina was annexed by the Soviet Union in 1940 and the region’s historic capital, Chernivtsi (Czernowitz in German and Cernauti in Romanian) lies just 30 kilometers, or about 18 miles, north of the frontier.”

The southern part, on the Romanian side, is a world of rolling farmland and steep forested hills, where antique villages and peasant culture coexist with new industry and modern construction. Horses and carts (and the occasional herd of cows) share the roads with SUVs, and intricately carved wood and other ornamentation still decorate many village homes and farmsteads.

Exceptional examples of a rich religious heritage form an important part of the mix. Here are Romania’s famous painted monasteries, built in the 15th and 16th centuries when the region, a stronghold of Orthodox Christianity, was threatened by Ottoman invaders.

The vividly colored frescoes on their exterior walls, masterpieces of Byzantine painting, tell the tales of saints and heroes, and portray in epic imagery the cataclysmic struggle between good and evil at the end of days. The monasteries are among Romania’s most celebrated cultural treasures. Listed on Unesco’s roster of world heritage sites, they draw large numbers of visitors throughout the year.

Here, too, however, are religious sites far less known and rarely visited that also form important components of the region’s deeply rooted spiritual patrimony. These are the centuries-old Jewish cemeteries, whose weathered tombstones bear extraordinary carvings that meld folk motifs and religious iconography into evocative examples of faith expressed through art.

“I was in the Bucovina to carry out research on Jewish tombstone art, and spent many hours photographing the richly sculpted tombstones in cemeteries in Radauti, Siret and other towns. But, traveling by car, I was also able to visit nearly half a dozen of the painted monasteries, all of them located within an easy drive of each other.”

Among them was Sucevita, a fortress-like complex in wooded hills that today is home to a monastic community of several dozen black-clad nuns. Protected by turreted defensive walls, it has a central church topped by an elegant steeple and covered with wonderfully bright paintings from 1602-04.

The simple church at Arbore, built in 1503, is on a much smaller scale. Shaded by trees in a secluded garden, it features faded but powerful paintings by the 16th-century artist Dragos Coman.